| resurrecting
andrew jackson downing
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reconstructing A.J. Downing
source: newburgh free library
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"In early Victorian America
there was no man more widely known, respected, and
loved by those interested in rural concerns (and that
was almost everyone) than Andrew Jackson Downing of
Newburgh, New York. Through his books and writings
on landscape gardening and architecture his magnetic
personality through a spell on admirers throughout
this country, and also Europe." (Downs 1)
Perhaps
no man has shaped the architecture of his hometown more
than Andrew Jackson (A.J.) Downing. Nevertheless, probably
no man who has influenced the beauty of his hometown—and
of landscapes throughout the country—has been
so easily forgotten. He is considered the father of
landscape architecture and the modern pubic park, yet
he was often called "prophet without honor."
His democratic beliefs led him to create landscapes
that would be enjoyed by all classes of society, thus
he favored large inner city parks (FLO Web site). He
envisioned a park in New York City and teamed up with
his partner, Calvert Vaux, to devise preliminary plans
for what would become Central Park. In addition to contributing
to the design of the world's greatest urban park, he
was also commissioned to design the grounds of many
revered attractions in Washington, DC such as the Smithsonian,
the White House, and the Capitol. Unfortunately Downing
died prematurely, at only 37 years of age, when a ship
caught fire and he drowned. Though he left the world
that fateful day on 1852, leaving many of his designs
unrealized, his ideas permeated through the work of
the architects that followed.
A memorial
to Downing designed by Calvert Vaux shortly after his
death (pictured below) sits near the Smithsonian Institution
in Washington, DC. Unfortunately, like the memory of
Downing, the urn was neglected for years, until restorations
in 1972. The picture above alludes to the forgotten
memories of Downing that we are now trying to resurrect
and piece back together.

photo credit: smithsonian institution
The inscription
on the urn, from Downing's Rural Essays, reads:
"The taste of an individual, as
well as that of a nation, will be in direct proportion
to the profound sensibility with which he perceives
the beautiful in natural scenery. Open wide, therefore,
the doors of your libraries and picture galleries
all ye true republicans! Build halls where knowledge
shall be freely diffused among men, and not shut up
within the narrow walls of narrower institutions.
Plant spacious parks in your cities, and unclose their
gates as wide as the gates of morning to the whole
people."
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"a heinous crime" |
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Above, is
a letter stored in the Newburgh Free Library's archives.
The author, a landscape architect, laments that Newburgh
has forgotten Downing (which he considers a 'heinous
crime') and appeals to a librarian to act to restore
and properly honor his memory.
A quote
from Architecture magazine describes the essence
of Downing's work:
"Downing was struck by Tocqueville's
assessment that Americans were a peripatetic people,
a nation of emigrants who as soon as they put a field
under cultivation set off westward to find something
better. To counteract this destructive (as he saw
it) tendency Downing believed that his brand of 'landscape
gardening' might ground Americans by linking them
to their soil, thus helping to foster a strong American
society" ("Will the Real" 10).
Downing's memorable
life coincided with Newburgh's climb out of economic
decline brought about by the Erie Canal. By the mid-1800s,
a new tide of industries emerged, bringing prosperity,
new construction, and work for Downing. Downing's father
ran a nursery in Newburgh, which was part of the family's
compound at Broad and Liberty Street. After graduating
from school at nearby Montgomery Academy, where he learned
how to make architectural and landscape sketches, A.J.
stayed home to work at his father's nursery named "Botanical
Gardens and Nursery." He became quite adept at
horticulture, growing 150 varieties of apples and 200
varieties of pear and continually refining his knowledge
by corresponding with European colleagues (Baker 128).
When he was only 26 years old, he published Treatise
on the Theory and Practices of Landscape Gardening,
the first American book on the subject. His next works
were Cottage Residences and Fruit and Fruit
Trees of America. In 1846, he became editor of
the journal The Horticulturalist, a journal
of "Rural Art and Rural Taste." Besides his
artistic endeavors, Downing also supported the community
in other ways. He served on the Newburgh Library Association
board and helped found the Newburgh Lyceum, an institution
for popular education (Schuyler).
In 1850
Downing toured England's greatest estates. There he
met architect Calvert Vaux and brought him to America.
Soon enough, they started the firm Downing & Vaux.
The results of their collaboration are all over Newburgh.
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downing's estate
photo credits: francis loeb library, graduate school
of design, harvard univ. (both images)
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"Downing began designing
a house that would, simultaneously, be a testament
of the standing he had achieved in the community and
a powerful statement of a new architectural aesthetic.
Until that time, few buildings in Newburgh could claim
architectural distinction. The Greek Revival Dutch
Reformed Church designed by A.J. Davis was an important
exception…" - David Schulyer,
Apostle of Taste
Landscapes
and gardens were only part of Downing's repertoire.
He also designed country cottages, a few of which are
still standing in Newburgh. His own home, which is no
longer standing, was perhaps a paragon of his homes.
The first image above is a sketch from one of his books.
The second image is probably the only existing photograph
of Downing's estate.
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signature downing homes at grand and
broad streets
A number
of Downing's Gothic-Revival inspired houses, including
the ones pictured above, still stand along Newburgh's
residential streets. Typical characteristics of his
homes, include steep roofs, pointed windows, ornate
wooden columns, and the vergeboard, which is the carefully
carved our length of board that hangs down from the
edge of the roof.
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